![]() ![]() Remember, this could lead to some unnatural looking highlights, blown or not. Just move the output levels triangle on the right towards the left. This should pull her more forward but if you get carried away to darken the background further it will look like you are peeking through a keyhole unless that is the effect you want.īy the way, if the only thing you want to do is to lower the value of the whites behind her, do all the steps except in the Levels adjustment do not move the center triangle below the histogram to the right. The resulting image will look like what I added at the end.If you do not want the bottom part to darken, select the Brush tool, make sure its hardness is low (right click on the image with the brush to see the setting), pick up the black color, and paint the bottom part of the layer mask as shown in the screen capture.The alpha channel then appears as a red overlay on top of the image. This will make the light areas darker and darken the darker areas as well You see it in the image window as a grayscale (or black and white) representation. You want something slightly artificial but not too over done. Add a Levels adjustment layer and move the sliders as shown in the screen capture, note the slider on the Output Levels bar, pull it to the right.Press Shift-Ctrl-I to invert the selection so that the outside is selected, see the image below.You will not see much change after you click OK here. Right click on the selection, choose "Feather" and adjust the feather depending on the image size, as a starting point use about 1/20 of the long pixel dimension.Create an elliptical marquee selection as shown in the image, covering an area just above her head down to the mug.I think your best bet under these circumstances is to create an artificial look with a vignette. Darkening white will result in strange grays. Overlay blend mode is not the tool to use since it will lighten the lighter areas, opposite of what you want. Complementary Filtering (Primarily for Grayscale Cameras) Other Useful Solutions When. Is this a rhetorical question or is there an end result you are trying to get? Look for pseudocolor overlays, often called LUTs, in your image. In other words, you cannot make white any brighter and black any darker. That probably explains the behavior you see. ![]() ![]() Then she chose the Brush (B) tool, set it to a soft. Lukianova wanted to refine the edges of the mask, so she clicked the mask thumb of the Gradient Fill in the Layers (Window > Layers) panel. These options are in the View panel on the right side of your screen. The Gradient Fill adjustment created a layer mask above the model layer, filling the selected area of the photo with the color gradient. The middle gray has no change, any value darker is darkened and lighter values are lightened proportionate to their deviation from the middle gray tone (128,128,128) If you multiply white, the result is white if you multiply black the result is black. To help you see the effect of this brush, select either Overlay or On White. The overlay mode is (kind of) a combination of multiply and screen. ![]()
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